E major chord

Home in E major, and the V that pulls toward A.

How it sounds
Bright and settled. E to G♯ is four frets, and that gap gives it its warmth, while B on top holds it steady. It has an open grip, the E form, with three open strings ringing.
Where it lives
The I of E major, the IV of B major and the V of A major. In E major it’s home; in A major it pulls the song back to A. In A harmonic minor it’s the V, and its third, G♯, is the raised seventh that leads back to A. Blues, rock and metal, where the open low E string gives the key its weight, and plenty of country.

Voicings across the neck

E, G♯ and B can be played in five places on the neck, each built from a different open chord shape. Neighbouring forms share a root, so each one hands over to the next, and together they run from the nut to the 12th fret before the cycle starts again. The open E form rings the most. The D form at the 2nd fret uses only the top four, which keeps it small and light.

Show
I.
E form · open
  • High E string: E at fret 0
  • B string: B at fret 0
  • G string: G♯ at fret 1
  • D string: E at fret 2
  • A string: B at fret 2
  • Low E string: E at fret 0
II.
D form · 2nd fret
  • High E string: G♯ at fret 4
  • B string: E at fret 5
  • G string: B at fret 4
  • D string: E at fret 2
  • A string: not played
  • Low E string: not played
III.
C form · 4th fret
  • High E string: G♯ at fret 4
  • B string: E at fret 5
  • G string: B at fret 4
  • D string: G♯ at fret 6
  • A string: E at fret 7
  • Low E string: not played
IV.
A form · 7th fret
  • High E string: B at fret 7
  • B string: G♯ at fret 9
  • G string: E at fret 9
  • D string: B at fret 9
  • A string: E at fret 7
  • Low E string: not played
V.
G form · 9th fret
  • High E string: E at fret 12
  • B string: G♯ at fret 9
  • G string: E at fret 9
  • D string: B at fret 9
  • A string: G♯ at fret 11
  • Low E string: E at fret 12

Formula

IntervalsNotesSemitones
R · M3 · P5: what each interval does in a chordE · G♯ · B4 + 3

E major is a root, a major third and a perfect fifth: E, G♯ and B, taken from the E major scale by skipping every other note. Four then three is what makes a chord major. Turn the gaps round, three then four, and you get E minor: E, G, B.

How chords are built from a scale

What each interval does

In these keys and scales

E major turns up in twelve scales on the site, and the job it does depends on the scale. In E major it’s the I, home. In A major and A harmonic minor it’s the V, the chord that pulls back home. In C♯ minor it’s the III, the relative major inside the minor key, and as the VI of G♯ minor it’s a warm step away from home. The numeral beside each scale names the job, and the name opens that scale’s page.

The scales on the site with E in them, by family
FamilyScales
Major
Natural minor
Harmonic minor
Melodic minor
Pentatonic

Progressions

A lot of progressions in E major start on E, and nearly all of them come back to it. In I–⁠IV–⁠V the other two chords keep returning to it. In I–⁠V–⁠vi–⁠IV it opens the loop, and A at the end leads back round to it. V–⁠I turns it the other way: there E is the V, and it resolves to A.

Progressions with E in them
NameNumeralsChords
The three-chord songI–IV–VE – A – B
Four chords, most of the chartsI–V–vi–IVE – B – C♯m – A
The cadence into AV–IE – A