G major chord

The open chord with the most strings ringing and the most ways to hold it.

How it sounds
Big and bright. All six strings sound, three of them open, with the root at the top and the bottom, so it fills a room on its own. The three-finger and four-finger grips differ only in whether the B string is fretted at 3.
Where it lives
The V of C major, the chord that pulls back to C, and the I of G major, home to a lot of country and folk. Campfire songs, bluegrass, Dylan.

Voicings across the neck

G, B and D can be played in five places on the neck, each built from a different open chord shape. Neighbouring forms share a root, so each one hands over to the next, and together they run from the nut to the 13th fret. The open G form rings the most, with the three middle strings open. The E form at the 3rd fret is the full barre, tighter and more even. The D form at the 5th uses only the top four, and the A form at the 10th puts the root on the A string.

Show
I.
G form · open
  • High E string: G at fret 3
  • B string: B at fret 0
  • G string: G at fret 0
  • D string: D at fret 0
  • A string: B at fret 2
  • Low E string: G at fret 3
II.
E form · 3rd fret
  • High E string: G at fret 3
  • B string: D at fret 3
  • G string: B at fret 4
  • D string: G at fret 5
  • A string: D at fret 5
  • Low E string: G at fret 3
III.
D form · 5th fret
  • High E string: B at fret 7
  • B string: G at fret 8
  • G string: D at fret 7
  • D string: G at fret 5
  • A string: not played
  • Low E string: not played
IV.
C form · 7th fret
  • High E string: B at fret 7
  • B string: G at fret 8
  • G string: D at fret 7
  • D string: B at fret 9
  • A string: G at fret 10
  • Low E string: not played
V.
A form · 10th fret
  • High E string: D at fret 10
  • B string: B at fret 12
  • G string: G at fret 12
  • D string: D at fret 12
  • A string: G at fret 10
  • Low E string: not played

Formula

IntervalsNotesSemitones
R · M3 · P5: what each interval does in a chordG · B · D4 + 3

G major is a root, a major third and a perfect fifth: G, B and D, the fifth, seventh and second notes of C major. Four then three is what makes a chord major. Turn the gaps round and B drops to B♭: G minor.

How chords are built from a scale

What each interval does

In these keys and scales

G major turns up in twelve scales on the site. It’s the I of G major and the V of C major, and C harmonic minor and C melodic minor keep it as their V too, which is where the major V in a minor key comes from. In D major it’s the IV, and in E minor the III, the relative major. The numeral beside each scale names the job, and the name opens that scale’s page.

The scales on the site with G in them, by family
FamilyScales
Major
Natural minor
Harmonic minor
Melodic minor
Pentatonic

Progressions

Two of these have G pulling back to C: V–⁠I on its own, and I–⁠V–⁠vi–⁠IV, where G comes second and the loop runs on to A minor. In I–⁠IV–⁠V G is home, and C and D keep sending the song back to it.

Progressions with G in them
NameNumeralsChords
The cadenceV–IG – C
Three chords in GI–IV–VG – C – D
Four chords in CI–V–vi–IVC – G – Am – F